Censorship in Cinemas Coursework Example | Topics and Well Written Essays - 9000 words

Censorship in Cinemas - Coursework ExampleThe research brings together practical evidence by way of scholarly theory and the popular pressure level to support some of these arguments and to determine whether it is a necessary element within society in its broadest context.Everyone has the right to immunity of opinion and expression this right includes freedom to hold opinions without interference and to seek, receive and impart cultivation and ideas through any media and regardless of frontiers - Universal Declaration of Human Rights, Article 19.The exercise of these freedoms, since it carries with it duties and responsibilities, may be subject to such formalities, conditions, restrictions or penalties as prescribed by law and are necessary in a democratic society in the interests of theme security, territorial integrity or public safety, for the prevention of disorder or crime, for the protection of health or morals, for the protection of the reputation or rights of others, for p reventing the disclosure of information received in confidence, or for maintaining the authority and impartiality of the judiciary. (OByrne, 2003 106-112)So it appears that freedom of expression is not without its limits and is still subject to censorship in terms of what is considered in force(p) to the greater good of communities. Censorship can, in its broadest sense, be defined as the suppression of knowledge or ideas. It is often enforced by governments or exacting organisations to prevent certain types of explicit material from being circulated. This study is focusing particularly on the nature of film censorship which can be judged in relation to language that is used, the plot or the subject matter and is applied in accordance with protecting children, minority groups or vulnerable individuals from exposure to supernumerary emotional trauma.In Britain, film censorship has been active since the turn of the last century and is now overseen by the British Board of Film Class ification (BBFC) which classifies films and certifies them therefore for public viewing. In the United States censorship emerged in the late 1920s with the development of talking pictures. The Hays Code of film classification was adopted in 1934 to subdue the depiction of religious groups, foreign countries, foreigners, sexual and criminal activity and other repellent subjects. (Sourced from http//www.talkingpix.co.uk/ArticleCensorship.html, Date accessed, 18/02/09) Later on, in 1968 a classification frame was established that all Hollywood movies recognise on a voluntary basis and which is governed by the Motion Picture Association of America (MPAA). The UK shares many of the kindred censorship and classification strategies as that of the United States. The only legally acknowledged censorship bodies in the UK are the local authorities with obscenity listed as the prime champ for ensuring film censorship is sustained. The British Board of Film Classification argues that classif ication is largely upheld in accordance with protecting children. (Kochberg, 2007)Their current guidelines identify a weigh of areas of concern which are addressed and considered in